Is conceived as a hybrid spatial environment inspired by Mediterranean village squares, a labyrinth of buildings and alleys, leading to a central open area where activity is concentrated. The volumetric structures recall contemporary exhibition spaces, yet here the works are not hung on walls but instead incorporate transparent layers, allowing visitors to walk through them or portals to new metaverses. Human entities are based on anonymous and public individuals, sourced from different places such as online clothing catalogues, still images become AI generative based animations. Other human motifs explore body movement captured through camera-based practices, not just from professional dancers but everyday individuals engaged in compelling, unscripted actions. These characters were eventually transformed into sculptural digital forms, inhabiting an ectopic network of relations—one without a fixed perspective and lacking visible interaction among them. The name Aseminar comes from “Anti Seminar,” where different voices—content creators, real estate agents, influencers, music groups, and messages in recognizable or unfamiliar languages—form a fractured discourse. This discourse interrupts itself through multiple viewpoints and overlapping layers of sound, creating a fragmented and multifaceted narrative.

Sundanese Dimension

Explores another endangered writing system like Sundanese script through a visual system in which the signs iterate rhythmically, becoming part of a larger mosaic that constructs an imaginary architecture.